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HPA TECH RETREATTM Presentations

 

2009:


ATSC Audio Summit, Ver. 2.0 - Audio Loudness & Lip-Sync: Finding Solutions


HPA Insight / Foresight Visions of the Future Supersession

Mark Schubin, consultant, Pt. 2


Introduction & Technology Year in Review - Mark Schubin

Intro - Review

2009 FCC Competition

2009 CEA Household Penetration


CES Review - Peter Putman, ROAM Consulting


Sustainable Media Technology & Practice - Matt Peterson, Vertatique


New developments in stereoscopy

Hybrid/Multi-mode 3-D creation - David Seigle, In-Three

Autostereoscopic display - Pia Maffei, Alioscopy USA


High Frame-Rate Television - Steve Jolly, BBC Research

Additional content published by BBC


Studio/distribution concatenated-compression test results - Hans Hoffmann, EBU


Broadcasting: Analog TurnED Off & What's Next?

ATSC 2.0 - Graham Jones, NAB

Jerry Butler, PBS

Jim Starzynski, NBC Universal

Robert Seidel, CBS


Impact of New Display Technologies on Reference Monitoring

Gary Mandle, Sony


Washington Update - Jim Burger, Dow Lohnes


Content ID: Not quite ready for prime time? - Clyde Smith, Turner Broadcasting &

Katherine Parker, Sun Microsystems


Building a Network for Content Creators - Anthony Magliocco, AboveNet, Inc.


Real-world data-transfer results - James Fancher, Deluxe Digital Media


Storage year in review - Rob Kobrin, Integrated Media Technologies


Software technologies panel - John Footen, moderator

BXF - Chris Lennon, Harris

Service-Oriented Storage - Simon Eldridge, Omneon

Broadcaster Case Study - Jerry Butler, PBS


Technology trends in post infrastructure: appliances to clusters to microcode - Tom Burns, Technicolor


Advanced processing

Cell technology - Lance Kelson, Sony

FPGAs - Juan Pertierra, Cine-tal

Grid-based transcoding - Jason Danielson, Omneon


4K+ theory basics, part II: dynamic range - Hans Kiening, ARRI

4K Systems Technology Brochure


Correction of defects in 4K scanning using advanced technologies - Dave Cavena, Image Trends


How cable works - Steve Lampen, Belden


A test pattern for the digital age - Norm Hurst, Sarnoff


Online Sensitometry for Digital-Intermediate Calibration - Ujwal Nirgudkar, Alfa Imaging Systems, India


Minimizing color variation - Gary Demos, Image Essence


Spatial Hearing - James Johnston, DTS


Post-Retreat treat:

The Metropolitan Opera's Live Global Cinemacasts - Mark Schubin, Metropolitan Opera


Breakfast Roundtables

Content ID: Ready for prime time? - Katherine Parker, Sun Microsystems

Aspect Ratio Angst., Bruce Jacobs, Twin Cities Public Television

It's a Mad, Mad, Mad, Mad Multiformat World - Bruce Jacobs, Twin Cities Public Television Acquisition Formats



2008:

 

Archive eXchange Format (AXF), Merrill Weiss

 

Brushing Up on Upconversion, Bruce Jacobs

 

Concatenated Compression Effects, Josh Derby

 

Consumer Electronics Overview, Shawn DuBravac

 

Consumer Electronics Show Review, Peter Putman

 

Cross Media Format Workflow for Production, Postproduction, & Archiving, Siegfried Foessel

 

Dirac Pro for Post, Peter Wilson

 

Financial Analyst's Follow-Up and Further Inquiry, Mike Olson

 

High Dynamic Range Display Technology, Dave Schnuelle

 

Introduction & Technology Year in Review, Mark Schubin

 

Layered Motion Compensation, Gary Demos

 

Less than a Year to Go: What Happens after Analog Cutoff, Bob Seidel

 

Less than a Year to Go: What Happens after Analog Cutoff, Glenn Reitmeier

 

Looking at the Other End: All About HDMI, Steve Lampen

 

Motion in Visual Media Production, Anil Kokaram & MC Patel

 

One Studio Perspective on the Digital-Cinema Transition, Wade Hanniball

 

Parameters for evaluation monitors (Breakfast Roundtable), Peter Putman

 

Supersession Post 3D: Moving from a Science Project to a Business, Jerry Pierce

 

Supersession Post 3D: Moving from a Science Project to a Business, Patrick Palmer

 

Supersession Post 3D: Moving from a Science Project to a Business, Chuck Viane

 

Supersession Post 3D: Moving from a Science Project to a Business, Doug Darrow

 

Supersession Post 3D: Moving from a Science Project to a Business, Alan Bell

 

Supersession Post 3D: Moving from a Science Project to a Business, Joe Cirincione

 

Task Force on Synchronization & Timing, Peter Symes

 

Tools for Evaluating HD Fixed-Pixel Display Performance, Jed Deame

 

Washington Update, Jim Burger

 

2007:

 

A New Concept for Post & Distribution, Igor Borovikov

 

 

Archiving Movies in a Digital World, Dave Cavena

 

 

AVC: New directions and applications, Peter Symes

 

 

CEA Penetration Figures, Mark Schubin

 

 

Digital-Cinematography Cameras, Mark Schubin

 

 

Display and Consumer Electronics Update, Peter Putman

 

 

Dynamic and Interactive Scalable Workflow for Digital Motion Picture Production, Adrian Widera & Siegfried Foessel

 

 

EMC Today, Paul Swedberg

 

 

Extended Color Gamut for Consumers - the Display Side, Jeroen Stessen

 

 

Facemorph (software demo)

 

 

File-based Workflow for Transcoding Theatrical Content to a Variety of Entertainment Video Formats, Christoph Fehn

 

 

FrameFree Video Compression - Critical Points versus Block Matching, Igor Borovikov

 

 

HD-ENG Field Test Report, Bob Seidel

 

 

HZ-CA13U Film Lens Adapter, Craig Yanagi

 

 

Introduction, Mark Schubin

 

 

Managing the Lifecycle of Hollywood Data, Brian Olson

 

 

"New" Extended-gamut Color Space for Video Applications; xvYCC (IEC61966-2-4), Naoya Katoh

 

 

Nielsen Penetrations, Mark Schubin

 

 

PBS Update, Jerry Butler

 

 

Predicting (or Creating?) the Future of Home Entertainment, John Godfrey

 

 

Production for the Long Tail, Steve Stough

 

 

RAW Workflows: Impacts on Aquisition and Post, David Newman

 

 

Securing and Archiving Content Assets, Utilizing Holographic Data Recording, Art Rancis

 

 

Spatio-Temporal Quincunx Sub-Sampling (...and how we get there), David Lyon

 

 

The DTV Transition & Digital Rights Washington Update: The Year In Review, Jim Burger

 

 

The MXF Mastering Format A proposal to address existing MXF interoperability issues, Clyde Smith

 

 

The Video Consumer Marketplace: We're Getting There, BUT..., Michael Heiss

 

 

TV Sizing Trends, Mark Schubin

 

 

Understanding and Measuring Loudness, Josh Derby & Mark Edmondson

 

 

Understanding Transport Streams, Laszlo Zoltan

 

 

XDCAM HD Dailies, Brian Quandt

 

 

 

2006:

 

10 Gigabit Audio and Video Networking, Steve Lampen

 

 

4K Pure Cinema Joint Field Trial NTT-WB-TOHO Digital Cinema Distribution over International Fiber Networks, Tetsuro Fujii

 

 

960 x 540 Down-Rez For whom is it bad?, Mark Schubin

 

 

Advanced Camera Research at NHK, Hiroshi Shimamoto

 

 

ARRI D20 Camera Tests, Stephan Ukas-Bradley

 

 

Audio Metadata: Key For Producer Creativity and Tool for Broadcaster Flexibility, Kenneth Hunold

 

 

AVC Compression Update: FRExt and future, Matthew Goldman

 

 

CEA Penetration Figures, Mark Schubin

 

 

CineGrid, Tom DeFanti

 

 

CineGrid, Laurin Herr

 

 

Compression Update: Advanced Codecs Standardization Activities, Patrick Waddell

 

 

Digital Steroscopic (3D) Presentation: How its Done Today and Post Production Implications, Glenn Kennel

 

 

D-ILA Technology Contrast/Grayscale, Color, Scaling, Deinterlacing/Motion, Rod Sterling

 

 

FCC Competition Report, Mark Schubin

 

 

Film Grain Technology, Jeff Cooper

 

 

Final Cut Studio - Native Long-GOP Editing, Brett Halle

 

 

Fraunhofer Network Digital Cinema, Siegfried Foessel

 

 

Harry Potter in 4K Pure Cinema, Wendy Aylsworth

 

 

HDTV at CBS & UPN (CW), Robert Seidel

 

 

HPA 2006 Broadcaster Panel, Glenn Reitmeier

 

 

Introduction, Mark Schubin

 

 

ISA - Interoperability and Security Architecture, Julien Seligmann

 

 

Lip Sync of Audio/Video Distribution and Display, Bill Hogan & Michael Smith

 

 

Lossless Layered Residual System, Gary Demos

 

 

Metadata for Formatting with Multiple Aspect Ratios, Graham Jones

 

 

Native Editing with Final Cut Pro 5 - FAQ's

 

 

(Non-Color) Display Signal Processing, Jed Deame

 

 

Octavision 8M pixel - Quad HD motion picture camera/recorder, Nobuyuki "Nick" Koyama

 

 

Panel on 3D Movie Production, Thomas MacCalla

 

 

Project Lightspeed TelcoTV Update, Brad Medford

 

 

Quest for an Image Interchange and Mastering Format, Jim Houston

 

Research Institute for Digital Media and Content, Naohisa Ohta

 

See It Now: A Primer on LCD, DLP, LCoS, and Plasma Technologies, Pete Putman

 

Small Format HD Acquisition, Mark Schubin

 

Some Random Thoughts on the "new" 3D, Rob Engle

 

The DTV Transition & Digital Rights Washington Update: The Year In Review, Jim Burger

 

The Evolving Home - Traffic Theory, Piracy and the New Home, Jerry Pierce

 

TV for Mobile Devices, Tom McDonough

 

Universal Pictures D-Cinema: "Serenity" DCP and Trailers, Wade Hanniball

 

 

 

2005:

 

A comparison of MPEG-2 Video, MPEG-4 AVC, and SMPTE VC-1, Matthew Goldman

 

Updates in MPEG-4 AVC (H.264) Standard to Improve Picture Quality and Usability, Jiuhuai Lu

 

Patent Licensing 101, Ron Moore

 

Delivering More Video Content at Half the Cost Using MPEG-4 AVC, Bob Wilson

 

Introduction, Mark Schubin

 

CEA Penetration Figures, Mark Schubin

 

FCC Report, Mark Schubin

 

ABC Television Network DTV Status Report, Mike Strein

 

CBS/UPN HDTV Update, Robert Seidel

 

CE Industry Overview, Brian Markwalter

 

Digital Content Protection 2005 Status Report, Brad Hunt

 

Tapeless Camcorder Acquisition Dual Media Approach, Robert Harris

 

Uncompressed Recording - Camera to Post Workflow, Don Miskowich

 

Film Transfer for Digital Intermediate, Dave Bancroft

 

Optimizing Displays for Digital Dailies, Loren Nielsen

 

X'Y'Z' Color Encoding for Digital Cinema Distribution, Glenn Kennel

 

Make Your Own DCP - A Guide to Creating D-Cinema Distribution Packages, John Hurst

 

WorldScreen Layered Scheme Compression for the Digital Cinema Chain, Mike Christmann

 

Digital Cinema in Japan, Laurin Herr

 

A Look at Consumer Displays - 2005 CES, Pete Putman

 

ISAN: International Standard Audiovisual Number, Merrill Weiss

 

The DTV Transition & Grokster - A Washington Update, Jim Burger

 

Extended Content Control Information (ExCCI) Packet -  The Studio Side of DRM, Merrill Weiss

 

Sound Editing Workflows in Post Production, John Mckay

 

Final Cut Pro HD & XML, Brett Halle

 

Dust to Glory - Case Study, Jacob Rosenberg

 

Standards Organizations: Are They Still Relevant to Users?, Peter Symes

 

Introduction to GFX, Paul Collins

 

User Interfaces and Technology Choices, Pete Challinger

 

Translating Hollywood's Command of Audience to the Networked Distribution Reality -  What Hollywood Can Learn from Digital Identity, Patrick Gregston

 

Skew - What it is, What it Means, Why You Should Care, Steve Lampen

 

Motion Estimation/Compensation for Noise Reduction & Image Enhancement, Fredrik Lidberg

 

4k File Access without Transfer OR All the way to 4K, Chris Golson

 
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